Yes, so Timmy’s been made into a play twice, once in Oregon, a big stage production and then most recently in England as a one man play. And I’ve seen both, and I like both. It’s very odd to — for someone who does — I suppose if I wrote for the movies it would be different, but I write for a comic strip. So I’ve never made a person talk. I’ve never made a real life person talk. None of my words have come out of the mouth of a real person.
So when you are in the audience of a play, and people are saying what you wrote, it’s a very odd sensation because you know where you were when you wrote it and you know how that decision was made. And sometimes it was arbitrary, sometimes it was silly, sometimes it was because of this. And these people are saying it like verbatim. And it’s a fun – it’s just a fun thing. And then the other fun thing is to see how they interpret the characters.
The woman that played Molly Moskins really turned her into a kind of a whining, fawning girl who had this high—pitched wail and it was actually funnier than I wrote it. And I didn’t see it that way, but that’s how she saw it and I think she made it better. So yeah, the whole thing’s a rush. That’s a cool thing.