The good thing about George is, and the good thing about my arrangement with Nelvana and even with PBS is that I control it. They’ve been completely supportive of me designing everything and overseeing all the stories. I even wrote the theme song for the show. So you know, I’m in there every day and making sure that it’s what it should be, and giving it that sort of nth degree of “wouldn’t it be cool if-ness” that I have so much fun with. And so George like Olie is filled with wouldn’t it be cool if. That was the origin of the whole thing.
