Chrysanthemum

Even a day that starts out on a sour note can become a good day after all, as four forest animals learn. A little girl who lives nearby finds the bird’s lost feather and declares for all to hear that it really is a good day! Uncluttered illustrations use strong line and gentle colors to convey the wondrous turnaround.

A house has windows, doors, etc. through day and night and seasons. However, it only becomes a home when a family arrives. A series of simple, straightforward questions combine with sunny, simple, elegant illustrations sure to engage even the youngest.

Five elephants, each a different pastel color parade across and through the pages introducing numbers from one to five, over and under, and more until it’s time to sleep. Simple forms, gentle hues, and comfortable language are sure to create an enduring classic. 

As Billy blew out the candles on his birthday cake, an ambulance rushes down the street. Could his wish for some excitement have caused a dear neighbor friend to become ill? Billy and his family, first introduced in The Year of Billy Miller (opens in a new window) return in this quiet, touching, and relatable standalone volume. 

A girl tells readers about the birds she sees around her, describing size and color in spare, almost lyrical language. Richly colored paintings accompany the text to enhance and build the concepts presented in the narrative.

Chester and Wilson are like peas in a pod. Not only do they do everything together; they do most things in the same way. Then, a new mouse moves in to the neighborhood and things will never be the same! Lilly (Lilly’s Purple Plastic Purse, 1996) is irrepressible and energetic, as Chester and Wilson soon happily find out.

Only the green egg remains unchanged after the pink, blue and yellow eggs hatch; three small birds wait and wait and wait for the fourth egg. After the long wait, a distinctly un-avian creature emerges and a unique friendship begins. Strong lines, soft colors with rounded shapes and repeated images with minimal language tell this distinctive tale of an egg.

Remember “the middle of Fall, when the leaves have already turned” and the air is chilly, apples and pumpkins are ready to pick. Soon, the leaves will be gone and the sky will change again, filled with snowflakes. Lyrical language and richly hued paintings evoke the season and the changes that accompany it.

Julius’ mom is making cupcakes with candy corn atop for a Halloween party; Julius is told not to touch them. He doesn’t, but does count the candy corn — as he eats them! Crisply lined illustrations stand out on each sturdy page as Julius (some may recognize him from Julius, Baby of the World) tastes the best part of the cupcakes — before guests arrive.

Lilly is sick and tired of hearing about the wonders of Julius, her new baby brother. Because she wants him to go back to where he came from, Lilly spends a lot of time in the “uncooperative chair.” But when a cousin criticizes Julius, Lilly learns just how protective a big sister can feel. Deceptively simple line and wash illustrations show the intense emotions of Lilly and her mouse family.

Children will delight in Kitten’s mistake. They know that what she thinks is a bowl of milk is really the moon’s reflection. Mostly black and white (and shades of gray) illustration expressively depict Kitten. Children enjoy the visual and verbal patterns throughout. (2005 Caldecott Medal Winner)

Who else except Lilly would Mr. Slinger, Lilly’s favorite teacher, invite to be flower girl in his wedding? His niece, Ginger, that’s who! Lilly’s indomitable personality and the author’s genuine respect for children shine through in this wholly credible story — a very funny and satisfying saga in which Lilly saves the day.

Lily just can’t contain her excitement and simply MUST share her jingly quarters and new purse causing her favorite teacher to put her in the thinking corner. How Lily rethinks her anger with Mr. Slinger is told with gentle humor, lively language, and very expressive illustrations.

A child wonders as she wanders on the beach while visiting grandparents. Lush, textured illustrations echo and expand the child’s musings on a glorious day. Husband and wife creators capture this joy-filled experience.  

As a little girl helps her mother in their garden, she imagines a fantastic garden of her own in which all of the rabbits are made of chocolate and the jelly beans grow. Strong line and rich colors combine with the child-like musings for a satisfying story.

Owen’s neighbor thinks that Owen is getting too old to take Fuzzy, his beloved yellow blanket, to kindergarten. With a snip, however, Owen’s inspired mom comes up with a creative solution for all.

When Penny picks up a marble near her neighbor’s home, she begins to imagine that it really belongs to Mrs. Goodwin. In short chapters with Henkes’ signature illustrations, the young mouse successfully works through her guilt to a very satisfying conclusion.

Henkes’ first easy reader introduces Penny and her mouse family in two appealing chapters. Penny must wait to share her original song until after dinner. When she does, not only do her parents join in, the babies respond in a surprising way. Henkes’ signature illustrations expressively complement the well-paced narrative.

Sheila Rae taunts Louise with her peppermint stick, not wanting to share it, and uses her experience to trick her sibling. Louise eventually gets some of the candy, and Sheila Rae gets her comeuppance in a very satisfying ending. Children of all ages will see themselves in these characters, first introduced in Sheila Rae, the Brave (Greenwillow, 1987).

Ten-year old Spoon is afraid that he will forget his grandmother without something tangible to hold on to. Can Spoon share his sense of loss and his selfish action with his grandfather? Sophisticated readers and adults will have rich discussions around this book.

Limited colors and simple shapes encourage young readers to see a flower, a lion, and a sun. Each two-page chapter brilliantly introduces a tale that calls on imagination and encourages reader participation.

Amelia wants to spend just one summer week in Florida. But her always-working father won’t agree. How Amelia finds consolation and friendship in the art studio to which she escapes her too quiet house is wholly plausible and quite touching. Characters develop fully as does the plot in spare, evocative, and effective language.

There are big things and small things in the world. Some, like children, are in the middle. Young children are encouraged to think about their place in the world through lyrical language and elegantly simple illustrations in this exploration of the world.

“There were five of them. And they were waiting…” Though seasons change, each waiting toy is ultimately satisfied and all are surprised by the latest addition. Gentle illustrations and text capture the difficulty of waiting and the pleasure when it is over.

Winter brings with snow, clinging to branches, “crouching in doorways,” and settles “softly, so softly.” It is followed by signs of an approaching season … spring! Gentle language and textured, boldly lined illustrations present another season by an award-winning husband/wife team.

His father assures Billy that his second grade year will be a fine year in spite of a bumpy start. Readers will recognize themselves and everyday adventures as they share Billy’s familiar likes and concerns, friendships and family.