Looking Back, Looking Forward

Writer extraordinaire, Walter Dean Myers, created original poetry to accompany selections of late 19^th (perhaps early 20^th) Century monochromatic photographs of African American children. The result is a handsome, sepia-toned album of poems and pictures that not only read aloud well but also capture the universal joys of children and childhood. 

In 1958, photographer Art Kane gathered up a who’s who of jazz musicians on a New York City street for what is now an iconic image of African American artists. Original poems accompanied by vivid paintings depict the period, the people, and more. Not only is the original photo included, so are short biographies of each of the musicians as well as additional resources sure to inspire further exploration.

Join the rhythmic countdown to Sunday afternoon, the one time when enslaved Africans in 19^th century Louisiana could relax in what became known as New Orleans’ Congo Square. Vibrant paintings, reminiscent of Jacob Lawrence, further enliven the portrait of people as they toiled daily, culminating on Sunday. An introduction provides historical insight and perspective of this little known part of American history.

Original documents from an early 19^th century Southern estate that appraised enslaved Africans provided the inspiration for original poems and powerful, full-page paintings of eleven individuals who were bought and sold. The result is very moving — portraits in poetry and image of enslaved people whose lives, aspirations, and hopes have been mostly anonymous — until now.

The saga of Mildred, a young African American, and Richard, a white teen, who met and fell in love in their Virginia town, is poetically told in an open, strikingly handsome format. Mildred and Richard’s courage to stand up for their right to marry and live where they wanted took them all the way to the US Supreme Court. Their struggle will be best appreciated by sophisticated readers. The Case for Loving: The Fight for Interracial Marriage (opens in a new window) by Selina Alko and Sean Qualls presents the family’s story for younger children, a picture book for children from 6-8 years old. 

John Lewis, son of a sharecropper, grew up to become an activist and later, a U.S. Congressman. His life and crucial role in the 1960s Civil Rights Movement is dramatically presented in word and image in graphic format in three volumes (March: Book Two (opens in a new window) and March: Book Three (opens in a new window)). The story of the young John Lewis can be shared with children as young as four years in the picture book biography, Preaching to the Chickens: The Story of Young John Lewis written by Jabari Asim, illustrated by E.B. Lewis.

Photographs — many taken during the event and on site — document the 1963 March on Washington where Martin Luther King, Jr. gave his now-famous “I Have a Dream” speech. A lucid text provides information about the Civil Rights Movement, general information about the period, and its impact. The images, however, have their own power even without the worthy narration. 

An introduction brings the Harlem Renaissance into focus, followed by a description of a particular form of poetry. Original “Golden Shovel” poetry by Grimes is interspersed with poetry by poets of the period including Langston Hughes, Jean Toomer, and Countee Cullen. Full-color art by a range of contemporary African American illustrators is interspersed in this small, handsome book. Additional information about the poets and artists concludes this unique collection.

Jean-Michel Basquiat, an American artist born of a Haitian father and a Brooklyn born mother of Puerto Rican decent, became known as an artist whose work effectively made social commentary. The original illustrations call to mind Basquiat’s visual style while presenting his life and unique work, which broke old tenets of art to became popular in the 1980s.

Early experiences brought the inequality of America into focus for young Joan, a white southerner.  So she became an activist in the Civil Rights Movement. Joan was a Freedom Rider, joined the sit-ins, attended the March on Washington in 1963, and even met Martin Luther King, Jr. Her story is part of a much broader story, presented in dramatic images, photographs, and actual documents from Joan’s memorabilia (e.g., an arrest record and a letter from a Mississippi jail to Joan’s mother).